Amulet of Light: Notes on Rayos: Cine en México
By Jay Kuehner, independent film critic and educator Looking at Manuel Álvarez Bravo’s 1932 photograph Las lavanderas sobreentendidas (The Washerwomen Implied) in a preview of the Luces y Sombras exhibit, … Continue reading Amulet of Light: Notes on Rayos: Cine en México