Filament is a moving image series at TAM conceived in dialogue with the exhibition Soft Power – a cinematic response to and reflection on the multivalent themes, both latent and tangible, in the textile-based artwork.
Join us Thursday, August 1 from 6-8pm for the next screening:
Quantum Creole
Filipa César
2020 | 00:40:25 | France / Portugal / Guinea-Bissau / Germany | English, French, German, Guinea-Bissau Creole, Portuguese | Color | Dolby 5.1 | 16:9 | HD video
In the beginning was the weave, and the transmission of its workings, a curse of mortality—so ends Quantum Creole with the fabulous words of the Papel weaver, Zé Interpretador. While the Punch-card technology, designed for the textile loom was fundamental for the development of the computer, the binary code is closer to the ancient act of weaving than to that of writing. Quantum Creole is an experimental documentary film of collective research into creolization, addressing its historical, ontological and cultural forces. Referring to the minimum physical entity in any interaction—quantum—the film utilizes different imaging forms to read the subversive potential of weaving as Creole code. West African Creole people wove coded messages of social and political resistance into textiles, countering the colonists’ languages and technologies. As the new face of colonization manifests itself as a digital image, upgrading terra nullius in the form of an ultra-liberal free trade zone in the Bissagos Islands, it also marks the continuation of the violence that erupted several centuries ago with the creation of slave-trading posts in the place then known as the Rivers of Guinea and Cape Verde.